赤月の輪

私が主人公になってもいいんすか ?

[Translation] Triangle Alpha トリアングル アルファ 歌詞

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歌詞:

銀河の遥か彼方 平和の星が
あるという その星の名は

惑星α争いの無い星
惑星α暗闇の無い星

夜が来れば 電気を操るオメガ人が
さぁ スワスワ達 出ておいで

恋しさや 優しい子
スワスワの灯す優しい明かりで
王侯貴族はたおやかに
パラスの民は逞しく
互いを照らして行きましょう

銀河の遥か彼方 平和の星が
あるという その星の名は

惑星α争いの無い星
惑星α戦いの無い星

全てを司る女王陛下の天のお告げが
大事な姫の運命を照らす

ラクサ ラクサ

この星の未来を握る若き姫君
心の秘密は胸の中
一生誰にも告げぬまま

この星のために我が身を捧げる

αの輝ける希望サクラ姫

触れれば 心が溢れ出す
触れれば 心が溢れ出す

触れれば 心が溢れ出す
触れれば 心が溢れ出す

争いの無い星
αの人よ
私には謎だ
あなたのもっとも大切なものが

奪われそうになったとしても
そのとき そのとき

そのとき あなたは
戦おうとはしないのか

触れれば 心が溢れ出す
触れれば 心が溢れ出す




Translation:

In a distant corner of the galaxy
A peaceful star is said to exist
The name of that star is

Planet Alpha, a world without war
Planet Alpha, a world without darkness

As night falls, the people of Omega who control electricity
Call out to the jellyfish
"Come on out!"

Yearning after kind souls
Lit by the gentle glow of the jellyfish
The royals and nobility are graceful
The palace folk are reliable
Let us shine upon each other together

In a distant corner of the galaxy
A peaceful star is said to exist
The name of that star is

Planet Alpha, a world without war
Planet Alpha, a world without fighting

The queen who rules over it all, had a heavenly vision one day
Shining a light upon her precious princess's future

Rakusa Rakusa (Sakura Sakura)

Knowing that her own daughter holds the future of the planet in her hands
She kept it a secret in her heart, determined never to tell anyone

"I am willing to offer myself up for the sake of this planet"

The shining hope of this planet, Princess Sakura

If we touch, our feelings overflow
If we touch, our feelings overflow

If we touch, our feelings overflow x2


This world without war
Oh, people of Alpha
It is a mystery to me

If what you love most in the world
If someone threatens to take it from you
At that moment, at that point
Will you still not fight?


If we touch, our feelings overflow
If we touch, our feelings overflow...

[Translation] We want to show real acting skills that demolish the very idea of what idols are capable of.

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post-235596-0-02447700-1431136021.jpg

The awakening of love set on grand scale within a SF love story is the Girls' Drama Club latest entry.

The latest work from the Girls' Drama Club is the musical Triangle, a sci-fi fantasy based on the original work by respected shoujo manga artist Kuramochi Fusako, which will be headed by these members of Morning Musume '15, Sayashi Riho, Ishida Ayumi, and Kudou Haruka.

Kudou: I'm sure both the fans of the Girls' Drama Club and of Kuramochi-sensei will likely be coming to watch us, so we want to give a performance that will not only not disappoint the audience, but also to let it be said that Morning Musume is awesome at the same time.

The gap between those who normally function as idols, and when they step on stage as actresses, that's probably what people came to see.

Sayashi: I've usually played bright and cheerful female roles previously, but this time I will be playing a cool and smart male role instead. I've always wanted to try playing a male role, so I was really happy to have been selected for it this time. Kudou, who is also playing a male role alongside me, has had experience playing a male role from our last musical, so she has more experience than I do. Though the forms of masculinity we're both aiming for are different in our respective roles, it would be great if I could give a masculine performance that will rival Kudou's.

Ishida: Up till now I've mostly been given tomboyish female roles, and the fans always tell me that they enjoyed those characters. Yet this time, I'll be playing the innocent and naive princess, which is a complete reversal of my previous roles. I feel a little shy about it, but I'm looking forward to what different sides of myself I can discover through playing this role.

We want you to see our theatre performance, which is different from our concert performances.

Sayashi: The desire to communicate through our singing might be the same, but there are many subtle differences of enuciation and intonation that are different, among other things. I'm really happy when people tell me that they're looking forward to hearing a different type of singing voice from me when I'm acting in a musical, so I want to show everyone an even higher level from me this time round too.

Kudou: We usually act according to how the theater professionals instruct us to previously, but I've started trying to think for myself what the role requires and making it my own. As we progress through each performance, the way we deliver our lines also evolve, so I think it'd be great if people can see how our performance has improved between the first day and the last.

Ishida: I hate how people tend to say that idols don't amount to much (in terms of talent/skill). In order to overcome that, we have to show off our best acting prowess to the world. We want to overwrite the current perception of idols with everyone, through our acting.



Source: http://db001.super-page.jp/012Lb234IO245U3IMw8/000/pageSlide.php?kanren=1&f17=lrp0126_&-max=24&-parent=1840&-sortfield=f18&-sorttype=ascend&defNo=0

[Review] Lilium, the Overview

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Well this was long overdue. As the chief engineer of the hype train that was Lilium among the overseas fans, as well as being the translator on the English subs, I probably should have gotten to this sooner. Better late than never I guess.

To start with, this is just an opening review. No major spoilers, just my op ed on what this is about and why people should watch it. I'll go into details with subsequent posts - and there will be other posts. I love this musical too much not to have a ton of things to note about it.

Without further ado, let us proceed. Beware the walls of text - they're the walls of this sanatorium, the Clan.


[歌詞] 月光 [英訳] Moonlight

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I am God's child
Fallen into this degenerate world
How do I live on such a field?
I was not born for this

My steps falter in this sudden squall
So close to collapse
But these chains do not allow it

With my heart in a state of surrender
My feelings for you remains scattered
And I can't seem to gather them up

I am God's child
Fallen into this degenerate world
How do I live on such a field?
I was not born for this

Speak more of your "reasons"
Until I am finally able to fall asleep

Even though useless placebos circulate
Even though I have no voice here
What should I believe in?

I am God's child
Grieving voices carve a trail of scars down my back
I can't hang out in this world
If I think like this
There is no place for me in this world

Like these unpleasantly cold walls
What other weaknesses will I permit?

Don't reach out towards the end
If it's you, you can
Save me from this loneliness

And time will speed this pain away

I am God's child
Fallen into this degenerate world
How do I live on such a field?
I was not born for this

I am God's child
Grieving voices carve a trail of scars down my back
I can't hang out in this world
If I think like this
There is no place for me in this world

How do I live on such a field?

[Translation] The One Who Bears the Burden of Morning Musume, Sayashi Riho

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The one who is called the ace of Morning Musume '14 is the 9th generation member, Sayashi Riho. Her delicately adorable appearance belies the high quality of her dance skills, which has drawn attention to her ever since the auditions. She is the one who most often takes the center position in Morning Musume '14 now.

Sayashi Riho is a hard worker. She may have picked up her dance skills at Actors School Hiroshima, but she has had to grind her singing ability from level zero like everyone else.

Even so, from the moment she joined, she has had more lines than her fellow generation-mates, and following the graduation of Niigaki Risa and Mitsui Aika, the next new single under the leadership of Michishige Sayumi, "One Two Three", saw her share center with 6th generation member Tanaka Reina, taking a large share of the singing parts. In the following autumn concert tour right after, her singing parts were also abruptly increased.

The parts that had once belonged to her seniors, she was now made to sing them all. Even though the fans themselves had been looking forward to see who would inherit the lines of those who had graduated, the gaps left by Takahashi Ai and Niigaki Risa, who had been the vocal mainstay of Morning Musume for so many years, were probably too huge to fill immediately.

She may not have inherited all their parts, but what she did inherit would prove a serious challenge to her abilities at the time. It might have been a basic requirement for idols to be able to sing while dancing, but keeping up with the intensive dancing Morning Musume required while singing unfamiliar and challenging new parts could not have been an easy task, be it skill-wise or even mentally and emotionally.

Around that time, her voice would often grow hoarse towards the end of a concert, high notes would often spiral out of control, and you could see how she seemed high-strung and unsettled.

However, as she gained more experience with every performance, she seems to have learned from those and begun to change. Even Tanaka has this to say: "Sayashi studies how I sing, and adopts the techniques for her own".

And yet, she chooses not to demonstrate evidence of her working hard, and has said that she has never considered all the hard work to be too harsh on her. Even if it had been too harsh on her, it is possible that she would never show it to others around her. It is entirely likely that for her, giving her all in order to produce the best possible performance was just a normal thing she had to do. It may also have led others to believe that she could do anything, but I believe that she simply works at it until she can do it. This may seem like just a simple, everyday thing, but actually putting it in practice is far more difficult.

There has always been a stiffness to her expression as she continued her struggle onstage. Obviously she has to be smiling while on stage, but one could still spot the nervousnessness and tense determination on her face. But that has started to shift slightly from somewhere around last year.

The expressions she projects towards the fans, as well as the eye contact she exchanges with the other members have all softened somehow, and it shows how she has come to enjoy the performances for themselves. Her expressions we are able to see live on stage have now come to be filled with both pride and joy.

It is possible that her trust and composure in her surroundings, as well as her own growing confidence in her performance ability, has projected itself through her aura. If you were to watch her now, you can truly feel that she is having fun, and in a way, that is truly moving.

Just a few years ago, the little Sayashi that was still so young was trying her best to look as mature as possible in order to catch up to her seniors. While that had been interesting in its own way, watching her now after she has accumulated all that experience with each new stage, and seeing her grow in confidence and ability from all the hard work she has put in, that famously smug expression of hers suddenly evokes a deeper emotion.

With the addition of the 12th generation members come 2015, it is possible that other members apart from Sayashi may take the center spot, but this is precisely what makes Morning Musume interesting. Even if she is no longer standing in the center of the formation, she has already become a strong pillar of support within the group, the steady presence that will draw them all onward.

While she has overcome many challenges ever since joining the group, the upcoming graduation of Michishige Sayumi on November 26 will prove to be the greatest trial, not only for her, but for the group as well. And then there is also the wall known as the "Golden Era", or in other words, the Morning Musume of the past.

Even so, though she has her worries and doubts, it is clear that she has already found the conviction within herself to shoulder the burden of Morning Musume and its future. In inheriting the soul and legacy of the group, while striving to lead them to their next revival and also aiming to head to even greater heights for herself, surely she will continue working even harder from now on.

However, while the cool Sayashi on stage is indeed impressive, the fact that she managed to grow mold instead of mint, or the fact that she is said to be too shy to communicate properly with others -- all these things just serve to enhance the gap between her stage persona and herself as a normal girl, which is why I will secretly hope that she continues being awkward like this forever
.



Source: http://www.entamenext.com/news/detail/02/id=1091